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Technology and ‘the death of Art History’
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Wednesday 10 - Thursday 11 November 2010
London, The British Computer Society
This issue is currently in progress - papers will be added as soon as they have been processed.
Charlotte Frost
Art History is TechnologyJamie Allen
Real Time Realtime - Time as a Technological Material in ArtBrett Aggersberg
Virtual Touch- Virtual Reality as Fine Art SpaceAlmila Akdag Salah
Performing Curatorial Practices in a Social Network Site: The Curators of DeviantArtCarl Schmitz
Art Information versus Art Research: Database as NemesisTracy Piper-Wright
Life after Death – the relevance of digital technologies for entry into the ‘canon’ of temporary, ephemeral and non-gallery sited art worksCatherine Larkin
Current Research Methodologies of Scholars in the Visual Arts: Toward an emerging model in image and text retrieval for the domain [PDF file] | view as a web pageFred Poyner IV
The Digital Image as Janus: Balancing Fair use and Image Licensing for Digitized Art in Museum CollectionsTamara Ashley and Carla Cesare
Digital Shift: Developing Portfolio: an online journal of emerging research in visual culture in the digital ageGill Perry and Linda Wilks
Open Access to Art? The Open Arts Archive: Dissemination and CollaborationHubertus Kohle
Fluid data. Cooperation on the Internet?Katharina Lorenz and Brett Bligh
Vorsprung durch Technik: Multi-Display Learning Spaces and Art-Historical Method [PDF file] | view as a web pageStephen Boyd Davis
Time Machines [PDF file] | view as a web pageRod Dioso
Digital Art in the ‘Third World’ Context of the PhilippinesKasia Molga and Sander Veenhof
Investigating the notion of the Art 2.0Stewart Dickson
Reports on the Death of Art History are premature and greatly exaggerated
Marie-Therese Gramstadt
Changing light: a plethora of digital tools as slides gasp their last? [PDF file] | view as a web page