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Computers and the History of Art
CHArt 2000 Conference Paper Abstracts

{CHArt 2000}

VISUAL CULTURE AND THE NEW MILLENNIUM


John Wyver, Illuminations Television/ Birkbeck College
"You are there": Inhabited Television and the Perils of Pompeii

Charlie Gere, Birkbeck College
Punk and the Digital Aesthetic

Anna Bentkowska, Courtauld Institute of Art
Moving Images, Shifting Notions. Who can trust the digital image?

Kalliope Koundouri,Athens
Beauty: The forgotten Criterion re-emerges

Reinhold Weinmann, European Media Laboratory Heidelberg
Architecture Base. A data base for 3D-models of buildings

Mike Pringle, English Heritage
300,000 monuments. One VR model

Oliver Vicars-Harris, Tate
TATE ACTION (ACcess To Images ON-line)

Gina Cavallo Collins, Scottsdale Museum, Arizona State University
The Future of Video Art; Is there one?

Karen Wallis, University of the West of England
Exhibiting Digital Art

Patrick McNaughton, Indiana University
A CD-ROM on African Art and Culture, with a closer look at Bird Masdqu

Polly Elkin, Victoria and Albert Museum
Securing the Object: The Photo Survey Project at the V&A

Michael Greenhalgh, Australian National University
Virtual Reality in Architecture; A VRML Model of Borobudar (Java)

Matthew Landrus, University of Oxford
Constructing a hyper reference to appropriations of Leonardo da Vinci: Virtual Museums and Visual Archives; Official and 'Pirate' sites; Digital Imagery and the Law

Debbie Kent, Visual Arts Data Service
Transforming Visual Image Archives for Learning and Teaching



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