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The Challenge of Ubiquity in Digital Culture

 

 


CHArt 27th Annual Conference -Thursday 17th and Friday 18th November 2011
Centre for Creative Collaboration (C4CC), 16 Acton Street, London WC1X 9NG
www.creativecollaboration.org.uk


PROGRAMME

Download the programme as a PDF file.

Thursday, 17th November 2011

DIGITAL ART HISTORY

Ryan Egel-Andrews (London, UK)
Is You Tube good for art history? The potential and threat of remix culture

Bill Roberts (Ruskin School of Drawing & Fine Art, University of Oxford)
Organised Networks as Institutional Critique

Whitney Davis & Linda Fitzgerald (University of California at Berkeley)
The Digital and the Duplicate in Art History

Doron Goldfarb, Max Arends, Josef Froschauer, Dieter Merkl, Martin Weingartner (Vienna University of Technology)
Exploring Artworks on the Web by their Socio-Historical Context

Questions & answers

Demonstrations (incl. Ashgate; EDINA; JISC MediaHub; Taylor, Francis and Routledge)

DIGITAL AUDIENCE

Mark Winokur (University of Colorado, Boulder)
Ubiquity and ideology

Monika Kin Gagnon (Concordia University)
Communicating the Intermedia Archive: The Theresa Hak Kyung Cha Collection

Barbara Pezzini (The Burlington Magazine)
Taxonomy and Contradiction in The Burlington Magazine Online Index

Neil Grindley (JISC)
What to Curate? Preserving & curating software-based art

Discussion and closing remarks

 

Friday, 18th November 2011

DIGITAL TECHNOLOGIES

Conference Keynote Presentation
Mike Phillips (Plymouth University & ‘Ubiquity’ Editor)
Remembrance of Things Past

Catherine Richards and Martin Snelgrove (University of Ottawa / University of Toronto)
Method and Apparatus: A Patent

Gavin MacDonald (Manchester School of Art, MMU)
Moving bodies in ‘the inhabitable map’: the GPS trace and its referent in new media art

Fabia Ling-Yuan Lin (Loughborough University)
Poses and Movements

Max Arends, Martin Weingartner, Josef Froschauer, Doron Goldfarb, Dieter Merkl (Vienna University of Technology)
The Perception of Art on the Web by Analyzing a Tagging Platform for Artworks

DIGITAL COLLABORATIONS

David Trujillo (University of Notre Dame)
The Digital Image: Desensitization and Exploration of 21st Century Society

Q & A and concluding remarks

Abstracts

Abstracts are available in Word [90 KB] and PDF [131 KB] formats.

 


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