Twenty Years of Arts Computing
CHArt Twentieth Annual Conference
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FUTURES PAST: Twenty Years of Arts Computing |
Abstracts
Pierre R. Auboiron, Panthéon-Sorbonne University, Paris, France
Indexed LightsWayne Clements, Chelsea College of Art and Design, London, UK
Computer Poetry's Neglected DebutSian Everitt, Birmingham Institute of Art & Design, University of Central England, Birmingham, UK
The Good, the Bad and the Accessible: 30 Years of Using New Technologies in the BIAD ArchivesJames Faure Walker, London, UK
Painting Digital, and Letting GoJennifer Gabrys, McGill University, Montreal, Quebec, Canada
Machines Fall Apart: Failure and Collapse in Art and TechnologyAndrew Hershberger, Bowling Green State University, Ohio, USA
The Medium was the Method: Photography and Iconography at the Index of Christian ArtColum Hourihane, Index of Christian Art, Princeton University, New Jersey, USA
Facing the Future Through the Past - at the Index of Christian ArtNick Lambert, CACHe Project, Birkbeck, London, UK
Recursive History: Assembling a Digital Archive of Computer Art's Early YearsAnn-Sophie Lehmann, Institute for Media and Re/presentation, Utrecht University, Utrecht, Netherlands
1300 Brushes - The History of the Computer as Painting-MachineKirk Martinez, Department of Electronics and Computer Science, University of Southampton, UK
Fifteen Years of Art ImagingCatherine Mason, CACHe Project, Birkbeck, London, UK
A Computer in the Art RoomVickie O'Riordan, University of California, San Diego, USA
This is the Modern World: Collaborating with ARTstorMike Pringle, AHDS Visual Arts, Surrey Institute of Art and Design, UK
A Virtual Disaster: The Rise and Fall of Virtual RealityMelanie Rowntree, Victoria and Albert Museum, London, UK
Successes and Failures of Content Creation in Web Beginnings at the Victoria and Albert MuseumChristine L. Sundt, Visual Resources Collection, Architecture & Allied Arts Library, University of Oregon, USA
Digital Projects Past and Present - Survivors or Fossils?Matthias Weiss, Leipzig, Germany
Microanalysis as a means to mediate digital arts